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Roger Len Smith's My Best
Friend is one of those albums that refuses to be penned in
by genre or style. Smith, who works with some of L.A.'s best
songwriters as a bassist and guitarist, has recorded an album
that can generally be classified as roots rock, but such a term
sets a limitation that fails to describe the width and scope
of this fine record, which contains a spectrum of musical sounds
from quiet alt-country ballads to loud, hardcore funk.
Smith, who is best known as the bassist in Shawn Amos's critically
acclaimed band Uncle Tom, plays bass and an assortment of guitars
and surrounds himself with some of the West Coast's finest instrumental
talent on My Best Friend. Collaborators include keyboardist
Rami Jafee and guitarist Ben Peeler of Wallflowers, drummer Victor
Bisetti of Los Lobos, guitarist Patrick Milligan of Uncle Tom,
drummer Joey Peters of Grant Lee Buffalo, guitarist Ann Klein
and vocalist Shannon McNally. The product of all this assembled
talent is a subtle, smooth, spirit-lifting rock album that runs
the gamut from quiet and thoughtful pieces to full-force, in-your-face
blasters.
Like his cohort Shawn Amos, who duets with Smith on "(I
Got So) Deep With You" and cowrote "Now You're The
Enemy," Smith's album, while it may not qualify as a "concept
album," works from a central theme and has an overall unity
rather than simply seeming like a random collection of songs.
That theme, according to Smith, is "the thrills and ills
of love." With relationships at the core of most of the
tracks, titles include the previously mentioned songs as well
as "Everyone Needs A Good Back Rub Now and Then," "Shipwrecked,"
"Days In Darkness," "Blue About You," and
a snide backhanded swipe at the music business called "What
She Really Wants To Do Is Ride Horses." The titles serve
as quite accurate indicators of the status of the relationships
under examination.
Smith, who as an adjunct to his musical career has written
free-lance pieces for "Rolling Stone" and other pop
music publications, opens the album with a track dedicated to
heroes. "Up in the Heavens Today" tells the story
of a guy who gets to go to heaven for a single day, so he takes
the opportunity to revisit his heroes. Smith notes that the
song "is about hanging out with one's heroes up in heaven
for a day and then getting out of there and back to earth before
they keep you there! The lyrics refer to people such as John
Lennon, Jerry Garcia, Gandhi, MLK, Marvin Gaye and others and
certainly could be interpreted in a variety of ways or with other
people in mind."
Musically Smith has done a fantastic job of using available
studio effects to create an ethereal feel on the track. Jaffee's
keyboard work gives the impression of floating through cloudbanks.
Co-written by Smith and Shawn Amos, "Now You're the Enemy"
is a quiet, radio-friendly roots rocker with a Wallflowers vibe.
The track has a lazy groove that teases the head and the heart.
It's been three weeks and nearly seven days
Since you came down to get in my way
Went from being my best friend to the enemy
Her body knows that a heart takes time
In goin' to "yours" from "me" and "mine"
Went from being my best friend to the enemy
Smith's music explodes on "Sometimes It's Always A Struggle."
Although Smith plays the guitars and bass on this track and
is assisted only by Peters on drums and Peeler on guitar, this
track has a big, complex rock sound that is definitely representative
of the LA scene.
The alternation between searing funk, roots rockers and quieter,
heartfelt ballads not only shows Smith's musical maturity and
talent, it also makes for a very listenable album that easily
avoids the indictment of "they all sound the same."
"Taste Your Tears" is simply a great love song.
I know what you're goin' through or perhaps I can only
guess
But I want to be there for you, help you do your best
To lift your soul and to hold you dear
And baby, I want to taste your tears
"(I Got So) Deep With You" sees Smith working in
a large band mode and singing with Shawn Amos in a soul or funk-rock
Sly and the Family Stone vein. Guitarists Ann Klein and Patrick
Milligan get to play with their wah pedals and effects processors
on this jammy track that finds them following The Temptations
guitar stylings on classic tracks like "Ball of Confusion"
while Jaffee fills the gaps with some funk-laden keys. Amos's
overdubbed vocal track is all MoTown.
With Smith playing some jaunty harmonica over a bed of riendly,
simple rootsy rock, "Days In the Darkness" has a reassuring,
spiritually uplifting feel. It smoothly builds its rocky rhythm
structure to a crashing final crescendo.
"Blue About You" is another me-to-you love song
that Smith excels at. This is entirely a studio production with
Smith playing all the guitars, bass and organ assisted only by
Andrew Kamman on drums. Smith has layered his own two- and three-part
harmony vocals and they are exceptional. He distills the perfect
music for what this moody ballad requires.
Now this psycho relationship is killin' me
Yeah, but I want more and you want me
You've given me the slip, is it so hard
Is it so hard bein' adored?
With Peeler playing delicate dobro and lap steel figures,
"Shipwrecked" has a John Lennon anguish-of-love touch.
Milligan and Smith crank it up and thump it out on the mellow
rocker "Your Best Ally." The track brings to mind
the sensitive yet rocking work that typifies one of the many
styles of Alejandro Escovedo. If there is a universal message
song on My Best Friend, "Your Best Ally," with
its appeals toward friendship, trust and brotherhood, is that
song. Like Escovedo so often does, Smith gets well beneath the
surface lyrically in probing the complexities of humankind and
the conundrums of daily existence and our relationships with
each other.
It's a hard world to trust
It can make your gold turn to dust
And you'd better watch your back
They're just waitin' for you to fall of your track
Howdo yo do, why don't you see me
Or what I'm tryin' to say?
If you would just look me in the eye
It would be so clear to you
That I could be your best ally
Anyone who has followed the work of Smith and Amos and Milligan
and Los Lobos and the other musicians on this album knows that
they have never been involved in projects that lack sincerity,
intergrity, higher purpose, or deep meaning. Smith takes a left-handed
swipe at the cynical nature of the music business in "What
She Really Wants To Do Is Ride Horses."
She was a record company publicist
Workin' like a dog in the Valley
Tryin' to push records she didn't even like
Much less care about
She was paid to go to shows
And act like it was all cool
That's what the music biz people do
The young lady throws it all out the window along with her
cell phone ("I think I heard it hit the ground") and
leaves L.A. for a quieter, more meaningful life where she does
what she really wants to do in life.
I don't think she misses it for one moment, no
She loves to feel the wind blow
She doesn't even know
Where her Porsche is
'Cause what she really wants to do
Is ride horses
Smith closes the set with "Upside Down." With its
slow, ponderous rhythm and ethereal, otherworldly background
colorations by Jaffee and Peeler, the track makes a perfect bookend
to the opening track. The level of professionalism is evident
in the amount of feeling the four musicians can evoke from such
a simple and direct tune.
Roger Len Smith's (or Raj as he has styled himself on this
release) music is honest and seems to have been devised and played
completely without commercial considerations or meddling corporate
sculpting. My Best Friend is Everyman's rock music.
It's rocking, but it's also gentle and has a loftiness about
it even though it doesn't pretend to save the world or to enunciate
The Answer. Rather it goes quietly and effectively about the
business of spreading a good feeling, quite a substantial and
worthwhile feat in this era of profane, vulgar, decadent, cynically
calculated corporate musical milk toast.
* Having trouble making friends or keeping them? Well,
Roger Len Smith, nice guy extraordinaire, hail fellow well met,
is there for you at www.rogerlensmith.com
Contact William Michael Smith at: wms-at-rockzilla.net
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