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Bakersfield has mystical
status in the world of country music. It has an image as something
of an anti-Nashville, where the music is as real as the oilfield
hands and other working folks who were listening to the Bakersfield
sound before the media brought it to a world hungry for the raw,
real thing. Thanks to Buck Owens, Don Rich, Tom Brumley, Merle
Haggard, Bonnie Owens, Roy Nichols, Wynn Stewart and other monumental
honky tonk heroes, Bakersfield has achieved a status akin to
a state capitol in the geography of country music. Since the
smash hit 'Streets of Bakersfield' by Dwight Yoakem brought about
the reemergence of Buck Owens and refocused attention on "the
Bakersfield sound," Bakersfield remains extremely visible
on the musical landscape and has a huge cultural cachet for what
is essentially just a small oilfield town in the California hinterland.
Do you ever wonder what Bakersfield sounds like these days?
The Wichitas can provide a clue. They are four-piece country
ensemble who ply their trade in Bakersfield's honky tonks and
dance halls. What is surprising is that, rather than the retro
Buckaroo influences that we might logically expect from a Bakersfield
band, The Wichitas tend more toward the current trends in Americana
and roots music, the new sounds of Texas and even alt-country
than toward the stylized twanging of the Buckaroos or the hardcore
country sound of Haggard. The Wichitas are more in Gram Parson's
orbit than in Buck's.
While they don't slavishly imitate any of the local stars,
they still know what their working class audience is looking
for: downhome lyrics, danceable beats, good picking, and authentic
country harmonies, and these The Wichitas deliver aplenty.
'Greetings from Bakersfield' takes its cue from country standards
like Bobby Bare's 'Detroit City.' There is a long tradition of
songs about good old country boys who leave their brides or their
mother and father behind in the old home place and go in search
of work.
Wandered past the drugstore, then he stopped and went inside
To buy a 5 cent postcard for his Oklahoma bride
He didn't have the heart to tell her things ain't what they seem
So he told her pretty lies so she could hold on to their dream
Said that the weed patch labor camp was a fancy hotel
And told her that he got a job out pumpin' oil out of a well
Pickin' grapes and oranges ain't what they had in mind
Especially working all day for a dollar and a dime
Pretty picture postcards in a drugstore window pane
Sent my bride a message that our love is not in vain
You know the writing on the front side says just what she'll
want to hear
Greetings from Bakersfield, wish you were here
The band demonstrates
their honky tonk credentials on 'S.O.S.,' a critique of the Bakersfield
honky tonk life. There's plenty of steel guitar and twanging
on this jukebox number, but again the music doesn't copy the
traditional Bakersfield sound. The lyrics are right out of Buck
or Merle's book, though, and Olen Taylor delivers them in a voice
reminiscent of Webb Pierce or Jack Guthrie.
Same old town, same old run around
Well I'm half-way scared to pick some doll up
Half afraid that it would follow
Same old haunts, same old honky tonks
Well, the gals down here are darned near scary
And I'll wind up married
Taylor has a fine way with expressing matters of the heart,
and The Wichitas go into a No Depression zone on his fine tune,
'Heart.' This is alt-country as it should be, with rich harmonies,
soulful twanging, and strong hooks from the Wilco school. And
on Taylor's 'Tell Me All the Reasons,' he skates down the razor's
edge of a tumultuous relationship.
So your friends tend to think that I ain't no good
They think that you should leave me, now I think that you should
I'll tell you what, with your friends I agree
But I never cared much what they thought of me
They say that I'm lazy, I'm a lowlife, a bum
They say I'm so stupid I'm an insult to dumb
Turn on the lights, close the door, turn down the TV
And tell me all the reasons you came back to me
'Little Too Much' has a Dwight Yoakem up tempo country-rockabilly
sound. The track has some charming country doo-wop backup vocals
and a generous dollop of guitarist Marc Lipco's Bakersfield twanging
to top it off.
First you tell me that it's over for good
Then you say that maybe I misunderstood
The Wichitas show just what a fun, raucous, jukejoint outfit
they can be on the hillbilly stomp, 'Dry County.' This track
is reminiscent of some of Carl Perkins work and straight out
of Ernest Tubb's 'Tennessee Saturday Night' school of songwriting.
Well you can't drink a beer if you live around here
Unless you go down to Louisianne
There's a bottle of wine just across the state line
And it oughta be in my hands
Well, this is Dry County, Arkansas where drinkin' is against
the law
But we'll get high in a hurry if you'll drive me to Missouri,
out of Dry County, Arkansas
The finale, 'Adios,' comes straight from the Dale Watson
school of rev-it-up and take-it-down-the-road up tempo roadhouse
country music. Lipco again puts his guitar in overdrive and
gives it the gas.
Well, I guess I'm gone
She's got my stuff piled up out on the lawn
It was a sight to see with all the sprinklers sprayin'
And the neighbors sayin' "what went wrong"
I guess I'm gone
"From Greetings ...To Adios" is an album of fullblast
beerjoint Americana jukebox material. It is well written and
well played, unpretentious and heartfelt, and it leaves the overall
impression that while the Wichitas are from Bakersfield, California,
they are more in tune with the current trends in Texicana and
alt-country than with any retro movements. Next time you are
in the mood for a couple of beers and some country music, you
could do a lot worse than "From Greetings ... To Adios."
*The Wichitas are the kind of band that mp3.com was invented
for, so go to www.mp3.com/thewichitas
and get you a disc full of nuevo-Bakersfield honky tonk seranades.
While the tracks are downloading, you can run to Stop and Go
and get a twelve pack.
Contact William Michael Smith at: wms-at-rockzilla.net
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