Rockzillaworld -- web site mirror

How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.


 

Departments

Home
 
New Reviews
 
Review Archives
 
Quick Notes
 
Feature Articles
 
Americana Poetry Consortium
 
Rockzilla Rants
 
Concert Calendar
 
A Few Words About Rockzillaworld
 
Contact Info
 
Staff
 
Artist Links
 
Sponsors
 
Buy Stuff
 
Site Search
 
Buddy Sikes' House Page
 
Photos
 
   

 

 Shining a light upon music that matters

 
Ken Will Morton
In Rock 'N' Roll's Hands
Self Released
By Mike Sheahan

Every now and then an album comes along out of nowhere and piques your curiosity. You give it a few spins and decide (in your best critic's voice) "Feels like I've heard this before but heck, it ain't half bad." Then the damn thing stays in your stereo for a month. In Rock 'N' Roll's Hands is just such a disc.

Ken Will Morton is a veteran of the noisy rock wars who has now found his solace playing alone with his guitar and, if you take the album's title literally, has no hope or plan for any other kind of future. He writes about lost loves, dead people and friends who have gone their own way. But amongst these themes of loss and regret Morton seems ready to keep plowing forward no matter what's in store. In "Lesson In Dying Love" he sings,

If I could begin my whole life again
I'm sure I'd still find my way to you
I've got no regrets
I'm just happy that I met you
Cause next time I'll know I'm just being a fool
If I fall in love with a girl like you

His belief in fate seems to contradict his ability to learn from his past but, in Ken Morton's hands, such ideas live comfortably side by side. It's murky water indeed, but Morton convinces and is able sing about such things without sounding overwrought, maudlin or, God forbid, cheesy.

Lyrical content aside, In Rock 'N' Rolls Hand's is the best collection of guitar rock songs I've heard since Scott Miller's 2003 release Upside/Downside. Along with guitar, drums and bass Morton adds just enough banjo, harmonica or keys to give each tune its proper mood. Morton never knocks you over the head with a heavy handed guitar solo or hyperventilation-inducing turn on the harmonica. He doesn't need to; his subtlety is what gives these songs their power.

The only exception to this is "The Day The Sun Never Came Up." With it's straight-outta-Burlington jam band rhythms and goofy lyrics about playing guitar underneath the moon, the song is as out of place on this album as Ted Nugent at a PETA convention.

In Rock 'N' Roll's Hands is a statement of defiance. Armed with little more than his guitar and his words Morton stands ready, with one eye on the past, to battle whatever the world throws at him- three chords at a time. In his press kit, Morton himself asks the question for you. "Foolish or genius? I'll tell you when it's over." My vote is for the latter and we would all do well to look in from time to time and see how the fight's going.

www.kenwillmorton.com

Contact Mike Sheahan at sheahan-at-rockzilla.net

 

  
Read the Rockzillaworld Guestbook
Sign the Rockzillaworld Guestbook
 

 
   
The opinions expressed by individual columnists do not necessarily reflect the opinions of Rockzillaworld. All content ©2004 Rockzillaworld. All rights reserved. No part of this site may be reproduced or copied without the written permission of the site owner. This includes html code.

 

 

 

 

.

.

.