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Back
in the late 80's, Austin sideman and budding songwriter Terry
McBride packed up all of his toys and moved to Nashville, with
the same dream that so many young musicians have, to make it
in Music City. McBride's resume included being a sideman to such
notable Texas talent as Rosie
Flores, Delbert
McClinton, and Lee
Roy Parnell. However, these Texas heavyweights didn't carry
all that much influence in Tennessee. While the odds may have
been against him, McBride had one thing in his favor, which was
that he had been blessed with a tenor voice that was just begging
to be heard. Soon it was heard, and by the right person, Tony
Brown, who at the time was a producer for one of Music City's
largest labels, MCA. Brown introduced McBride to guitarist/singer
Ray Herndon and drummer/singer Billy Thomas. Together they formed
(and still form) McBride and the Ride, country music's big-haired
power trio that boasted some of the tightest three part harmonies
ever to be heard, and the rest, as they say, is musical history.
After six years and three chart-topping albums, McBride and
the Ride came to a sudden halt. While very much in their musical
prime, the three members parted ways amicably and each went in
pursuit of their own projects.
Now, seven years later, Amarillo Sky marks the return
of McBride and the Ride with their first album of original material
since their surprising mid-90's break up. Short of the disappearance
of the big hair that was a trademark in their earlier incarnation,
little has changed. The old chemistry still seems to be there
and the harmony vocals that Herndon and Thomas supply to McBride's
booming tenor are still the tightest around. If anything, their
sound is a little more seasoned and mature, and musically they
are displaying a little more diversity.
Seven of Amarillo Sky's ten tracks are love songs,
and to an old cynic like me that is a quick way to lose my interest.
However, I kept finding myself drawn into and amazed by how utterly
tight this band is musically and especially by their unparalleled
harmonies. When I first shared this assignment with the other
writers at Rockzillaworld, one of them made mention that
he had always admired McBride's voice. What he failed to mention
was the extraordinary job the other two-thirds of the band do
in framing this voice. Just listen as these three voices intertwine
on a number like "Yours," a slow ballad that could
easily have been performed acapella, although there is some beautiful
gut string guitar work by Herndon, as the harmonies make the
song.
The title track, one of the few songs penned outside of the
band, is perhaps the strongest offering on this CD. The band's
performance lends a depth to this story of a struggling west
Texas farmer that mere words cannot always achieve. Another highlight
on this album is their cover of the old Who classic, "Squeeze
Box." Much of this rendition reminded me of remotely of
the Ozark Mountain Daredevils in their heyday, as electric guitars
and power drums intertwine with banjos and jew's harps. The outcome
is truly enjoyable.
While Amarillo Sky may not exactly be my glass of beer,
it is hard to find anything negative to say about it. It is a
well-performed and well-written album. There is a chemistry that
exists between the members of the band that shines through on
every track. Suffice it to say that folks who enjoyed McBride
and the Ride the first time around will find this record to be
quite possibly their best yet. Do I discourage folks from checking
out this album? Far from it! In fact, if you are not familiar
with the music of McBride and the Ride, I strongly encourage
you to get on over to your favorite online purveyor of music
and listen to a few tracks. I guess that the only thing that
stands between me and a hearty thumbs up to this album would
be my answer to that philosophical argument originally posed
by Sir Paul McCartney, and that is quite simply, "I have
had enough of silly love songs."
*Not quite as jaded by life as this reviewer? Then drop by
www.mcbrideandtheride.com
or www.dualtone.com to
learn more about this talented trio.
You can contact Scott Snidow at: scott-at-rockzilla.net
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