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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.



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Justin White
Happy Days
By David Pilot

Somewhere between Charlie Robison and Chris Knight there's a new storytelling Texan named Justin White. Well, not that new; if you ever heard Doug Supernaw sing "Reno" then you've got a feel for what White brings to the table. He co-wrote that song with Doug and helped it get to number one as a member of Supernaw's backing band the Possum Eatin' Cowboys. Now on his own, White's apparently taken the lessons of the past into consideration and caught a glimpse of the opportunities the burgeoning new freedom of independent music offers. His solo debut, Happy Days, serves up a serious slice of Robison-ana right off the bat; listen to the opening lines of "If You're Going To Texas" and wonder whether it's some lost verse from "My Hometown:"

Well it's a long story
How I ended up in Oklahoma
And I'd sure tell you
But I don't wanna bore you
You see I'm out here stranded
And I'm all by myself
And I saw your Texas plates
And thought maybe you could help

Part Robison, part Hangdogs stuck in Indianapolis with a fuel pump that's deceased, it's a terrific opening cut. What follows is a mishmash of solid honky-tonkers that probably sound a lot better live ("Beam Me Up Bartender") and flat-out inspired tracks overflowing with beautiful guitar work ("West Texas Town") that paint pictures of wide open spaces the Dixie Chicks didn't notice when they recorded Susan Gibson's track.

Old Supernaw bandmates Allen Huff (keyboards, accordion), Kenny King (bass) and Joe DeLeon (percussion) help ensure a tight musical effort all around, but it's all just window dressing for some solid songwriting and storytelling from White himself. "The Little Dance" will make you want to, and "Happy Days" bears a relation to the Fonz only in the sense that certain kinds of music can take us to a better place in only a couple of bars. The key to White's appeal is his ability to tell a story succinctly and brilliantly, to pick you up off the couch and put you on a prairie or in a Saturday night crowd with equal ease. In that sense he's Chris Knight without the death wish, and the Charlie Robison angle comes in with the rough-hewn and down home approach that pervades this seven song set of tunes that Justin either wrote or collaborated with his ex-PEC cohorts to create. There's an eighth cut, a cover of "Loving County" that winds up serviceable but not ear-catching; of course, it'd be tough for anybody to bring that song to life the way Robison has.

Keep an eye out for this Houston kid. These are songs you're likely to hum repeatedly, and since he's been to number one before on the big charts and knows how the game is played, there's every chance that Justin White is about to do something truly special. He's most certainly got a feel for a great country song. Say howdy over at www.justinwhite.net.

Contact David Pilot at: tailgunner-at-rockzilla.net

 

  
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