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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

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Winsor Harmon
Stars of Texas
Kick Records
By David Pilot

With apologies to Waylon, don't you think this Texas Music bit's done got out of hand? Pick up Winsor Harmon's debut effort, Stars of Texas, and you will. Who's Winsor Harmon? Ask your wife. She's eyeballing his chiseled physique on "The Bold and the Beautiful" every afternoon while you're trying to fight shy of the horizon line on the Cubicle Prairie, hopin' your boss won't hand you another project that'll keep you tied up for the weekend. Your wife knows Winsor was voted sexiest man on "Bold and the Beautiful." And while being a paragon of the Hellenic ideal for male beauty doesn't necessarily mean one can't sing, it most certainly does mean one's got a tough row to hoe the minute the jones for the spotlight and a microphone sets in. It takes a substantial amount of talent supported by a Promethean work ethic to overcome the pretty boy moniker. Whether your better half will admit it or not, the same rules apply to the fellas that apply to the Shanias of the world. Sometimes, even if it ain't fair, you're just another pretty face.

Harmon works hard to get past that hurdle, and almost clears it a time or two before this record's over. He's got the cash to put a slick-sounding product together, and it's readily obvious he went to the well for this debut. The results are pristine to the point of sterilization; this is music that has as much in common with sawdust floors and worn hands as Nuevo Laredo does with Lower Manhattan. One can't say it's not "good," whatever that is, at least not off the cuff. Production is tight, the breaks and bridges clearly the result of practiced studio hands offering foundational backing for the vanity project at the mic. In other words, it's fluff, but it's finely crafted fluff.

Cleverness is apparently an afterthought; witness the leadoff track ostensibly about the usual pining for the girl next door. Miss one sterling couplet and the whole point of the song gets lost:

I'm headed for the girly bar
To cool my heels and heat my heart

Yep, Friday night love. It's a beautiful thing, as evidenced by the remaining lyrics:

Oh Megan, I'm beggin'
You to be my girl
Oh Megan, I'm beggin'
You to be my girl

"Stars of Texas" is a bit more palatable, but still comes off as a calculated paean to those Lone Star denizens who actually believe they're special just because they live here but couldn't give you the first reason for the birth of authentic Texas pride. Harmon penned this track himself, so maybe the cynic's reaction should be softened by the acknowledgment of a fledgling songwriter's early efforts at earnest homage. Either way, title tracks by definition should be ready for prime time and this one isn't.

Thankfully Winsor didn't do much writing here; the bulk of those chores are split between Craig Bartock and Harmon's wife DeAnna. Bartock offers up a ready-for-mainstream-radio potential country hit with "All That I Can Give You Is Goodbye," a painful snapshot of a love that went down in the ecstasy of another's bed. Music Row loves songs like this, and here for the first time Harmon shows some exceedingly capable vocal ability. On the downside, fans of the '80s hair bands will recognize both lyric and musical similarities to the Jani Lane-penned "I Saw Red," a chilling and beautiful ballad from Warrant's Cherry Pie. You decide whether that's a credit to the writer or a damning indictment of what passes for country music up in Nashville these days.

DeAnna Harmon, on the other hand, seems most capable of originality within the bounds of the Nashville formula. A rock singer/songwriter by day, she easily bridges the gap to McGraw-land with "Thief." Another cheating song, this time from the perspective of last night's male partner seeing this evening his paramour held close by her husband on the dance floor. Hmm. Where'd that ring come from? While not a timeless or even particularly piercing dissection of the emotions a cheating man can feel when he first realizes he's been cheated as well, it's a prettily written ballad and certainly could strike a chord if the situation's right.

Most of what's left is safe and mindless dreck, and might be excusable under the guise of drive-time radio fare if another of Bartock's gems hadn't made the program. "A Man Like Me" just isn't the sort of song that's going to sit well with Texans, and it's safe to say that makes its inclusion a mistake on an album purportedly rooted in and created for the betterment of those who choose a life south of the Red.

My skin ain't weathered from the wind and snow and rain
Don't drink no whiskey, baby, I got champagne
Don't drive no pick up truck, I like Mercedes Benz
Why don't you just climb on in and let's be friends

Big horse, big hat, they ain't all that
Girl that's just some fantasy
If you want love I got the stuff
Girl, you need a man like me

Safe to assume Winsor Harmon won't be playing Cowtown or the Houston Rodeo anytime soon with lyrics like that. Probably works well in L.A. or in the shadow of the Brooklyn Bridge, but it just won't fly anywhere a working man's buying his beer. Simply impossible to fathom how this song wound up here, unless one reads the press kit accompanying this debut. Harmon tells a story about his wife's trepidation when he first tested her willingness to write him some country songs. DeAnna was nervous, given her rock background, and not sure she was up to the task. Said Winsor, "Honey, take it from a guy who grew up with country music It's simple! You get drunk, your heart gets broken, and you drive away in your truck. Just throw all that together and start writing lyrics!"

Hell, if they'd even stuck to that palsied formula, Stars of Texas would be a far better album than it is.

* Tell your wife she can see her hero all gussied up in a silk shirt and Stetson at www.winsorharmon.com. You, on the other hand, are better off getting roped by your boss than putting this travesty in your CD player. Unless, of course, you're a Kevin Fowler fan. In which case Winsor Harmon's debut actually serves to give your hero some credibility.

Contact David Pilot at: tailgunner-at-rockzilla.net

 

  
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