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In a city that lays great
claim to the blues and all that they're about, the House of Blues
is a legend in a trendy, white-collar touristy sort of way. The
place is gigantic, stages both upstairs and down, with a restaurant
and a musical scrapbook trove of memorabilia on the walls. And
they don't serve Jack Daniel's.
On a beautiful spring evening, folks started lining up for
the night's first act at 5pm. A two-fer, with Jesse Dayton and
band opening up for regular touring companions the Supersuckers.
Doors opened just after six, and the doormen began frisking the
crowd. Yes, frisking. Perhaps the first sign of the evening that
those with an affinity for the rough and tumble emotional rollercoaster
that comes with real music need not apply. Thankfully the security
went more quickly than the average airport line, but nonetheless
it put a substantial damper on the evening's proceedings.
Quickly all paid attendees were shuffled upstairs, where the
evening's first show was held. A massive room, with a main floor
surrounded by three raised walkways and bars, barely enough room
to shuffle between those seated and those standing waiting for
their next rounds. Three stories up, the private balconies began
to slowly fill. Never made it all the way, but those who wished
(and paid) found themselves in some great seats.
At 6:30 sharp, Jesse and band hit the stage running. Blowing
through two firecracker opening numbers, the boys served notice
that Texas was in town and, boy, how times have changed. The
crowd, surprisingly enough, was heavily smattered with folks
who knew Dayton's catalog thoroughly, and those who'd come for
the Supersuckers were won over quickly as well. Country came
calling on a stellar and lively version of George Jones' classic
"The Grand Tour," and the Cars got a nod before the
hour-long set was over as well. Dayton was his usual overly energetic
self, channeling Elvis and Hank with equal ferocity and playing
that guitar like the world was ending at 7:30. The band played
cuts from Tall Texas Tales and
Hey Nashvegas the rest of the
way. As the opener, Dayton and co. only got an hour, and didn't
have time to fully unleash the dogs and own the joint. That said,
can't remember ever seeing another opening act come so close
to doing just that.
Later on in the evening, as several of the show attendees
made their way down the street to Blue Chicago to wash off the
corporate stench of the HOB, the consensus was that Dayton needs
to be the headliner next time around. The Supersuckers turned
in a technically proficient set, but the time spent linking themselves
to Motorhead instead of blazing their own trail proved that they've
still got a way to go to catch the Slobberbones and Drive-by
Truckers of the world. Dayton, on the other hand, does not.
Contact David Pilot at: tailgunner-at-rockzilla.net
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