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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

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Hit & Run Bluegrass
Beauty Fades
Self-release HRB-01
By Marianne Ebertowski

It's always a pleasure to witness a bunch of youngsters having fun playing music as traditional as bluegrass. It is even better when they are as good as Hit & Run Bluegrass from the Boulder area of Colorado. There are five of them, two women and three men: Pennsylvania born John Frazier, mandolin player, vocalist and songwriter; Virginia native guitarist Rebecca Hoggan, an awesome flat picker who also writes and sings; Erin Coats, originally from Wyoming, upright bass player and vocalist; dobro player Todd Livingston from Ann Arbor, Michigan, also a composer; and Nebraska born banjoist Aaron Youngberg, another composer. As individual musicians, they have already managed to turn a few heads. Livingston, Sally Van Meter's "finest student," became Rockygrass Dobro Champion in 2001. John Frazier earned a certain reputation in Boulder as a songwriter, singer and mandolin player. Rebecca Hoggan already released a solo-album, Born in East Virginia, in 2001. Youngberg, a Wyoming banjo champ, and 21-year-old Coats, who learned to play bass aged nine, did not exactly arrive on the hilltop from out of nowhere either.

As a band, Hit & Run Bluegrass have only been around for two years. But in these two years they won Rockygrass in 2002 and Telluride a year later, which is something no band achieved before them. In July 2002, they met veteran bass player Gene Libbea, a former member of the Nashville Bluegrass Band, who became their mentor, cook and coach and even joined them during the first half of 2003 as bassist and vocalist, while Erin Coats took a break. The band's debut-album, Beauty Fades, is dedicated to him. Recorded and produced by former Lonesome River Band member Tim Austin at his own Doobie Shea Studios in Boones Mill, Virginia, the quintet, assisted by another youthful talent, fiddler Aubrey Haynie, offers seven original tunes and five covers including the country standards "Lonely Comin' Down" (Porter Wagoner) and " Old, Old House" (George Jones/Hal Bynum).

The title song, written and sung by Rebecca Hoggan, plunges right into what Hit & Run Bluegrass are all about, quality songwriting, perfect musicianship, great vocals ­ music which keeps a balance between the modern (Alison Krauss, Nickel Creek) and the traditional style of bluegrass (Del McCoury, Ralph Stanley).

It is John Frazier who is mostly responsible for the traditional touch. His voice sounds so high lonesome your knees start to wobble just after a few notes and his compositions sound as if you have heard them all before a long, long time ago, only you haven't. Frazier has the unique ability to knead the mass of traditional song material into new shapes, which is an important talent in the bluegrass profession. Just listen to his jailhouse story "Cold Iron Door" and you cannot shrug off the impression that you have heard this one played by Bill Monroe.

Rebecca Hoggan is an amazing singer, though Dolly Parton's hit "Lonely Comin' Down" proves to be a size too big for her (she'll get there). Her guitar picking is impeccable, her song writing impressive and her choice of material tasteful. That Hoggan, who is also a mandolin player with a honky tonk band (uh, well, so I heard), will make her way with or without Hit & Run is for sure.

Erin Coats, apparently the youngster of the band, is a rock steady dog house bassist and a great singer, too. She proves this in her rendition of George Jones' "Old, Old House." Together with Frazier and Hoggan, she is responsible for gorgeous three-part-harmonies. Todd Livingston who wrote the instrumental "Get Outta Town," a technically tough piece of work, is one of the most promising Dobro talents on the bluegrass circuit. As for Aaron Youngberg, well, I'm sure Earl Scruggs loves him.

I am also sure Hit & Run Bluegrass will follow in the footsteps of AKUS and Nickel Creek and show that bluegrass is still thriving and alive or, as Mr. Libbea once said: "Hit & Run is destined to go far."

www.hitandrunbluegrass.com

Contact Marianne Ebertowski at ebertowski-at-rockzilla.net

 

  
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