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Cross Canadian Ragweed. Almost sounds like a mutant strain
of herb migrating down from the cold and mysterious lands of
the North, sweeping through Texas destroying crops and devastating
rangeland. But not quite.
The one true part of that statement is that Cross Canadian
Ragweed is from a cold and mysterious land to the North...Oklahoma.
They are one of the fastest growing bands in the southern United
States, and they are packing bars and dancehalls across Texas
with their mix of country and rock that brings in crowds of all
kinds.
I noticed months back that Cross Canadian (that's my abbreviation
for them, because CCR will always means Credence Clearwater Revival
in my book) would be coming to the Aardvark in Fort Worth, near
where I live. Having already seen them there twice in the last
six months, I thought it proper that I return to see if another
4 months of hard touring across the South had affected them.
I have been keeping up with the band fairly regularly on the
Internet over the past couple of months, and it seems they are
really pushing to make it to the "next level." With
a studio album and a live album to be released in the next few
months, as well as a music video soon to be submitted to CMT
and GAC, Cross Canadian Ragweed is making a push for the big
time the only way they know how-- full speed ahead and never
look back.
As my friend and I pulled into the Aardvark parking lot Saturday
night, Feb. 23rd, it was clear Cross Canadian Ragweed had evolved
somewhat since last October, as they were now traveling in a
tour bus instead of their van and equipment trailer. Give them
credit for tucking it away in the parking lot across the street,
rather than pulling it right up to the front door of the club
( a la Dallas's Flickerstick, from VH1's Bands on the
Run show).
The second thing that caught my eye was the fact that the
line to get in the club had already formed at 9 o'clock and stretched
past The Moon all the way to Fuzzy's Tacos. (I refer to the club
The Moon, not the large planetary rock orbiting our planet.)
It was a long -at-$# line. The Aardvark is in the TCU area and is
generally supported by a college crowd, but when Cross Canadian
comes to town it sees a new clientele, the 20-35 year old working
class. This is a group I tend to lump together in the "redneck"
category.
The Aardvark was selling advance tickets for the first time
in recent memory, and I hadn't bothered buying a ticket since
I'd never had any trouble in the past. I resisted the offer of
a slightly inebriated cowboy in front of me to pay "Fi'
hunnud dolla" for his ticket. He said he'd just go sit in
his truck for that kind of money.
As this is a concert review and there's clearly been no mention
of the concert itself, you might have figured out by now that
I didn't get in to the Aardvark. I could have tried to hang around
and get packed like a smoked sardine into a small room with bad
acoustics for the tune of $10-15. But taking into account the
factor that the fire marshal could shut the whole operation down
and cause me to leave empty-walleted without even seeing Cross
Canadian Ragweed, I decided to leave and wait for them to come
back to a larger venue in Fort Worth. I don't hold this against
the band, and I don't think they're "selling out" or
losing their artistic integrity. People like their music. People
come to see their shows. It's as simple as that.
But something should be said for that moment when you realize
that a band has just gotten big. It's like losing a close friend
when you can no longer go into a small, half-empty (or half-full
if you like) club and listen to a band play the music they create
and love. You sit there and wish at those times that this band
be one that "makes it." That's because you believe
in them, and you know they won't be able to keep playing music
if they have to travel 250 miles for a $30 a night payday.
So if you want to see Cross Canadian
Ragweed when they come your way, you'd better get there early.
Contact Jeff Dennis at: jeff-at-rockzilla.net
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